Constant contextualizing and negotiating, evaluating and scrutinizing.
What leaves me (at times literally) breathless is: the process doesn’t necessarily have regard for my personal integrity, my moral/ethical values, sometimes not even for my well-being and daily life.
I, – me, myself, and I – am the one who is the safeguard of my intentions, the gatekeeper of the channel I seem to be.
To do good seems to be shamanic common sense, it seems so obvious within the mainstream concept of spirituality.
However, I am always being confronted with the opposite.
Archaic principles are pushing themselves through me, and it’s hard to describe them in comprehensible, human language, but I can feel them writhing underneath the surface, like some ancient technological mechanism, forcing me to seek refuge in metaphorical expressions.
Writing poetry therefore is a natural response to the process.
It is by discovering and eventually describing my role as facilitator in the process, I am establishing my relationship with The Sacred.
But (hang on, wait a minute): what is The Sacred?
All I know (or rather: feel) is: what has been defined as sacred by our world’s religions, are diluted, meager, compromised representations of what it is, resulting in a set of rules saying: What It’s Supposed To Be.
Well, it isn’t supposed to be anything, it just IS.
And then, the following, everlasting, returning questions are:
Is that so?
Is it really?
Guiding me back to my initial contemplation:
Where does it leave me? Who am I? What am I doing?
The wavering trepidation in there, the searching, the authenticating;
welcome to my shamanic loophole, ladies and gentlemen.
And every time I’m wondering: what is my conclusion, is there a point to be made?
To only find there ultimately are no points, no conclusions to be made.
There only is: The Expression.
I’m starting to understand why mathematicians and physicists are seeking to capture everything into one single, elegant formula.
I am not equipped with such skills – art is my language.